End of year final roundup, of sorts

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With the time of year it is and all that jazz, the blog will be assuming radio silence for a bit, probably until the new year. But before that, it is only fit and proper for some thank yous and for a quick roundup of sorts. 

First things first, a huge thank you to Stevie, Poggy, Co & Paul for all their help with the BarryGruff / Discord shows this year. It most definitely couldn’t happen without all your help. Thanks too, to everyone who played the shows this year and those who took the time to do collate their picks from year. A big thanks to Johnny Feeney for his excellent guest posts throughout the year – I’m sure I’m not alone in enjoying his musings. Last but certainly not least, thanks to all of you who came to gigs during the year and continue to read the blog. It’s a rather humbling experience and without yous, the blog is nothing, so thanks a million. I hope I haven’t missed anyone, if I have I apologise profusely.

Before I go here’s a sort of roundup of stuff from the blog, with links, in case anyone missed some of it. Enjoy your holidays if you have ’em and see you in 2014. Cheers BG.

BarryGruff’s Albums of 2013

Johnny Feeney’s Albums of 2013

BarryGruff’s Irish Songs of 2013 (Soundcloud Mix)

BarryGruff’s 50 Songs of 2013 (Spotify Playlist)

BarryGruff’s Welsh Songs of 2013 (Spotify Playlist)

Artist’s who played BG gigs in 2013 and their picks from the year 

Trojan Warriors Mixtapes [Part Two] + [Part Three]

BarryGruff’s Irish Songs of 2013 (Mixtape)

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There’s been some really great stuff released this year from Irish acts and as has become customary for this time of year, I’ve put together a compilation/mix of my favourite tracks from throughout the year. 

There’s some old friends and some new, hopefully you enjoy the tunes as much as I, and  without further ado, here’s my favourite Irish Songs of 2013. Tracklisting is after the jump.

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Best of 2013 w/ Stephen Connelly of Sea Area Forecast & Knoxville Morning

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It’s that time of year when every music website, publication and blog (including this one) are busy compiling lists, lists and more lists. Last year I asked bands and artists who’d played ‘BarryGruff Presents’ shows to put their own list making skills to the test in picking their ‘favourite album of 2013′, ‘favourite song/remix of 2013′ & ‘favourite Irish song of the year’. After another successful year of shows, why break with tradition?

Right, that is enough waffling from me, it’s over to Stephen Connelly from Knoxville Morning and Sea Area Forecast, and of course an intrinsic part of the BarryGruff shows, to share his picks from 2013.

Favourite Album of 2013: Nick Cave & The Bad Seeds – ‘Push The Sky Away’

Cave saved ‘Body & Soul’ festival for me this year. More laptops than people. In the midst of a heavily electronic based festival, Cave storms the stage and knocks everyone on their arses. Reminding those that might have forgotten that live rock ‘n roll doesn’t fuck around. Great hearing the classics but it’s his new songs that stood out for me. A beautiful spacious sound that hasn’t appeared on any their previous albums. My love for The Bad Seeds stems from the darkness of Caves lyrics mirrored in their music. ‘Push the Sky Away’ does this but on the opposite scale using minimalistic approach. The loss of guitarist Mick Harvey has left a huge gap, in turn though allowing Warren Ellis to run a muck with his soundscapes which I’m all for. As far as the lyrics go, Cave has never been so on the ball. Stand out tracks for me -‘Higgs Boson Blues’, ‘Mermaids’ and ‘We Real Cool’.

Other albums you might learn something from. I haven’t, but you might: Waxahatchee – ‘Cerulean Salts’, The Depravations – ‘ Onwards, Westwards’, Death Grips – ‘Government Plates’, The National – ‘Trouble Will Find Me’, Bill Callahan – ‘Dream River’, Perfume Genius – ‘Put Your Back N 2 It’.

Favourite Song of 2013: Mogwai – ‘The Lord Is Out of Control’.

Surprised myself with this one but it was a toss up between this and a couple of King Krule jams. I’ve been watching a French show called ‘Les Revenants’ that has an incredible eerie soundtrack by Mogwai. This is the only other song I’ve heard by them and it’s amazing. Even the video alone is stunning.

Favourite Irish Song of 2013: There’s too much good shit happening to pick just one…

Oisin McCole – ‘Not For Your Heart’

I should be sick of listening to this song by now but it still sounds fresh even after a bazillion plays.

Oh Boland – ‘Mouthpiece’

Seen these guys play a fair bit over the last year and their live shows always deliver. Energetic garage pop rock from Tuam of all fucking places. Their onstage enthusiasm is everything I love about live music.

Rory Hughes – ‘Woe Is Me’

Just listen to that voice. Incredible!

 

Best of 2013 w/ Cormac Brady

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It’s that time of year when every music website, publication and blog (including this one) are busy compiling lists, lists and more lists. Last year I asked bands and artists who’d played ‘BarryGruff Presents’ shows to put their own list making skills to the test in picking their ‘favourite album of 2013′, ‘favourite song/remix of 2013′ & ‘favourite Irish song of the year’. After another successful year of shows, why break with tradition?

Right, that is enough waffling from me, it’s over to Cormac Brady and his rule breaking picks from 2013. 

Favourite album of 2013:

Thanks to Barry for asking me to write this piece again this year. Also I hope he accepts my back hander and lets me bend the rules a bit. It’s hard to pick one record, so here are twelve. Rules? RULES MEAN NOTHING TO ME

Savages – Silence Yourself
Steve Mason – Monkey Minds in the Devils Time
Run the Jewels – Run the Jewels
Queens of the Stone Age – Like Clockwork
Danny Brown – Old
Death Grips – Government Plates
Juana Molina – Wed 21
Boards of Canada – Tomorrow’s Harvest
Arctic Monkeys – AM
Moderat – II
Halves – Boa Howl
Dancing Suns – Goldmine

If I had to pick one over the rest, it would be Run the Jewels because I’ve listened to it the most. It’s a quality rap album. Killer Mike and El-P have all the charisma of an old school rap duo like PE, and they keep it original too.

Favourite Song of 2013:

I’m torn apart picking one tune, so I’ve had to pick three. Rules? FUCK YOU AND YOUR RULES

One: Savages – City’s Full. This band tore Electric Picnic a new arsehole back in September. I regularly stick the earphones in and play this tune over and over again at deafening volumes.

Two: Mount Kimbie – Made to Stray. I think I’ve listened to this tune eight hundred million times.

Three: Danny Brown – Lonely. I love this lad’s ability to balance honesty and insanity in his records. He’s a true artist. This track a little glimpse of the emotional depth his music can carry.

Favourite Irish song of 2013: Mmoths – ‘All These Things (feat. Holly Miranda)’

This tune is a perfect collaboration. Mmoths – All These Things (feat. Holly Miranda)

BarryGruff’s Albums of the Year 2013

BarryGruff Albums of the year 2013

It’s that time of year once again when every music blog, website and magazine busy themselves with list making activities, and this blog is no different. Due to other commitments this year, especially the second half, it was rather difficult to keep on top of album reviews for the blog. Saying that, I reckon I’ve listened to as many records as any other year without finding the opportunity to share my thoughts on many of them.

Without further ado, here’s the BarryGruff ‘Albums of the Year’ for 2013.

25. Crystal Stilts – ‘Nature Noir’

24. Appelscal – ‘Dreaming In Key’

23. Trwbador – ‘Trwbador’

22. Mr. Huw – ‘Cariad Affaich’

21. King Krule – ‘6 Feet Beneath the Moon’

20. Channel Swimmer – ‘Alphabet’

19. Valeria June – ‘Pushin’ Against A Stone’

18. Veronica Falls – ‘Waiting for Something to Happen’

17. Arctic Monkeys – ‘AM’

16. Public Service Broadcasting – ‘Inform – Educate – Entertain’

15. Marika Hackman – ‘That Iron Taste’

A collection potent songs of enigmatic beauty, That Iron Taste is a gorgeous and charmed introduction to the delectable talents of Marika Hackman. It is done so with a striking vocal delivery, sounding both wise and beautiful, imbued with a telling level of touching emotion. She channels something beautifully rich and dramatic in telling these rather dark poetic stories. Absolutely no substandard happy-clappy folk pop nonsense on show here, on the contrary, her debut (mini) album is quite frankly a haunting, numinous experience.

[Stream on Spotify]

14. The Pictish Trail – ‘Secret Soundz, Volume 2’

Most likely the greatest album to be recorded solely in a caravan, Secret Soundz, Volume 2, is the second LP from The Pictish Trail, the alter ego of Scottish musician Johnny Lynch. Throughout the LP, he’s in a contemplative, often melancholic mood, concerned with life’s ups and downs. In contrast, musically Secret Sounds is rather chipper, spurred on by a glorious melange of oddball sounds, sparks of frazzled electronics and instrumental breaks. A magnificent record; warm, inviting and full of charming quirks from an exceptional talent.

13. Biggles Flys Again – ‘Remember Saturday’

Ireland produces plenty of great bands but where it falls short, of say our Welsh neighbors, is when it comes to indie bands of the weird and wonderful variety. In Biggles Flys Again, the moniker of Conor Deasy, we’ve got a domestic talent flying that flag. Biggles’ debut album Remember Saturday displays real talent for 3 minute pop gems. It is brimming with enchanting and whimsical good old fashioned pop songs, filled with sinuous melodies and organic arrangement. This is pop in the old fashioned sense, played by a band, and with an assured sense of style.

[Stream on Spotify]

12. Akala – ‘The Thieves Banquet’

Since the release of his debut in 2006, Akala has proven himself as one of the most articulate, intelligent and talented MC’s around, a trend continued on his fourth LP. A potent wave of righteous fury crashes through The Thieves Banquet. The world is beset by many problems, varied and plentiful they may be but Akala manages to take plenty of them head on. He remains passionate, focused and sharp when tackling everything from a sense of powerlessness to change things, to berating imperialism,  slavery, capitalists, 3rd world dictators and the clergy. A very fine record indeed.

[Stream on Spotify]

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Best of 2013: Johnny Feeney’s Albums of the Year

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The ever knowledgeable Johnny Feeney has frequently featured on the blog throughout this year, popping up time and again to share his musical musings and words of wisdom with us all. So ahead of my own list of albums of the year, Johnny has kindly compiled his top ten albums from 2013.

Before I leave you in Johnny’s very capable hands, I’d like to thank him for this, and all the other posts during the year. He’s a top man. So, without further ado, here are his top ten albums of 2013.

10. Creep – ‘Echoes’

Echoes, the Brooklyn electronic duo Creep’s second album, is a dark, atmospheric record laden with spectral, woozy trip-hop beats and are joined by lots of guest vocalists including Romy-Madeley Croft of the XX and trip-hop royalty in the form of Tricky.

9. Cults – ‘Static’

Static is a tightly packed album of breezy, infectious indie rock with lo-fi production and errs on just the right side of sickly sweet. There are some incredibly catchy songs on here that can lodge in your head for days. Great stuff.

8. Drenge – ‘Drenge’

This debut album from the Loveless brothers, Eoin on guitar/vocals and Rory on drums, is a treat of primal, visceral blues rock. There are some great clattering drums and thundering power riffs throughout. Raw and raucous, this is an excellent rock album.

7. London Grammar – ‘If You Wait’

Ploughing a similar furrow to the XX, Nottingham trio London Grammar specialize in beautifully understated, minimal pop on their debut album. In Hannah Reid, they have a commanding vocal presence that lends a gorgeous intensity throughout. Some real gems on here.

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BarryGruff’s Albums of the Year 2012

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So, yeah, this is pretty self-explanatory. It’s end of year list time and every website, blog and magazine are busy compiling them. So not to be left out, here are my favourite 25 albums from 2012. Feel free to leave your few cents worth in the comments section, if you  feel the need that is.

25. Dark Horses – ‘Black Music’

24. The Egg – Something To Do’

23. Attaque – ‘When Light Falls’

22. Stealing Sheep – ‘Into The Diamond Sun’

21. Gaz Coombes Presents – ‘Here Come The Bombs’

20. Session Victim – ‘The Haunted House of House’

19. Ghost Estates – ‘Ghost Estates’

18. Cian Ciaran – ‘Outside In’

17. Graham Coxon – ‘A+E’

16. The Futureheads – ‘Rant’

15. Mystery Jets – ‘Radlands’

Radlands saw Mystery Jets rediscover their sparkle following the mediocre Serotonin. Decamping to Texas to record the album, it sees them embrace a whole series of sweet Americana sounds. They haven’t lost sight of what made them such a great band in the first place; a blitz of wonderful indie, quirky eccentricity and a supreme ability to produce perfect pop songs. A thoroughly enjoyable and likeable record.

14. Eugene McGuinness – ‘Invitation To The Voyage’

Eugene McGuinness‘ second album Invitation To The Voyage was one of the more enjoyable of 2012. Nothing startling or groundbreaking but an enjoyable blend of quirky, left-of-centre indie with a glossy pop sheen. With bursts of brass, surf/’60s pop guitar, clever lyrical wordplay and a confident swagger; McGuinness found a perfect balance between catchy pop and exhilarating indie.

13. Cloud Nothings – ‘Attack On Memory’

Attack On Memory is a heavyweight and rather muscular record. A short, sharp shock to the system, a proverbial kick in the bollocks if you like, taking in post-rock, indie, post-punk and pure unadulterated noise. Interspersed with bursts of scuzzy powerful indie we are exposed to a barreling barrage of loud, pounding drums, raw guitars and a Dylan Baldi sounding like a young Jake Burns. It is in no way subtle, a terrific album nonetheless.

12. Nathan Conway & The River Valley Band – Nathan Conway & The River Valley Band

Nathan Conway & The River Valley Band certainly borrow from the past to create a timeless soulful country sound, and have found their niche. The tone is soulful country, set to overarching themes of demise and redemption, draped in Conway’s intuitive storytelling which paints vivid pictures with his words. Mostly you feel they are working together, from the swinging uptempo tracks to the less blustery, slower numbers. They have a rapport with one another; brass, percussion strings and Conway’s deep bellowed croon, all work in perfect tandem. Sonny Boy requires a degree of patience, but it is worth it. A beautiful, timeless and assured album.

11. Tennis – ‘Young and Old’

Young & Old is Denver-based husband-and-wife duo, Tennis’, second LP. The album is swathed in soothing ’60s sounds, syrupy melodies and smart, soulful pop songs with captivating, richly melodic purr of singer Alaina Moore’s stunning voice at the fore. There is a very real retro vibe, yet not at one time does it feel old, stale or tired. It is bright, breezy, charming and uncomplicated, most importantly, it is damn fine record.

10. By The Sea – ‘By The Sea’

The banks of the Mersey has given rise to many great bands over the years, the latest to emerge from the production line are  By The Sea. Their self-titled debut album, produced by Bill Ryder Jones, hints at this Scouse heritage but this six-piece are very much their own band, with their own sound. The song titles like ‘Dream Waters’, ‘A Sail Floats and ‘Waltz Away’ set the tone, the album offers an elegant blend of dreamy, psychedelic and pastoral jams, this is music to get lost in. Liam Power’s voice, which has an uncanny resemblance to Shack’s Mick Head proves soothing and stirring as they waft across a hazy canvas of breezy, washed-out sounds.

09.The Heavy – ‘The Glorious Dead’

Wandering a retro path in the modern world can be tricky, there is little room for error. ‘Soul Rock’ is a minefield in itself. The Heavy have proven with two previous albums, while they do wear their influences on their sleeves, they make damn fine records. The Glorious Dead continues this trend. Meshing a clutch of hip hop breakbeats, slices of ’60s R&B, horns, riffs, zombie movie snippets, and soulful vocals into quality soulful, funk rock, of the highest order. What makes it so good? The wonderful execution, and it is oh so much fun, sometimes that really is quite enough.

08. Melody’s Echo Chamber – ‘Melody’s Echo Chamber’

Melody’s Echo Chamber is Parisian mullti-instrumentalist Melody Prochet. Teaming up with Tame Impala’s Kevin Parker on production, her self-titled debut pushes her flair for dreamy pop into more experimental, spaced-out zones of hazy psych-pop. The album has Parker’s stamp all over it. Prochet’s light, inviting vocals are cast into a shifting series of settings, with beguiling results. At times everything is covered with a heavy blanket of reverb and fuzz, while others are a gentle whirlpool of shimmering psychedelic dream-pop. It is the combination of Parker’s inspired production and Prochet’s evocative voice which strike a perfect balance between pop and the psychedelic. A rather inspired and stunning debut.

07. Conor Mason – ‘Standstill’

Standstill continues where 2009’s When It’s Over left off, flowing gently by, amid a sea of soft lilting vocals, whispering lyrical poeticisms and subtle instrumentation. It is permeated by an air of richness, comforting tranquillity and shrouded in melancholy. Standstill is a slow burner and requires patience, understanding and repeated listens to be fully appreciated. Standstill is a beautiful, simplistic and assured album and sometimes that is quite enough.

06. Richard Hawley – ‘Standing at the Sky’s Edge’

The seventh studio album from Richard Hawley saw an interesting change of direction toward hazy psychedelia, something Hawley proves masterful at it. With only one track clocking in under five minutes, the songs are suffused with snarling, meandering guitars solos and Hawley’s distinctive vocals. The title track is a masterpiece telling tales of a man who kills his wife and kids, a hard-up prostitute who ends up in jail and a young man involved in inner city violence respectively. It’s the rockier material here that really stands out, like the excellent ‘Before’ and ‘Down in the Woods’. The latter is a real rocker with a venomous Hawley sounding not unlike Mark Lanegan. There are moments of real beauty here too, one wonders where Hawley will go next but it will certainly be interesting to find out. (Words edited from Johnny Feeney | Because I’m lazy)

05. Miaoux Miaoux – ‘Light of the North’

Light of the North is the debut record proper from 26-year-old Glasgow based producer, Miaoux Miaoux. Fluid and uplifting, these sounds evoke moods a million miles from dreary rain soaked city of its birth as he hops from genre to genre. It is a stunning record which delicately pieces together beats, electronics, synths and acoustic guitars, with his pristine vocals gliding through a heavenly mist of lush harmonies, melodies, beats and electronics. One for fans of Caribou, Hot Chip and Jape. An irresistible debut record, a bright future lies ahead.

04. The 2 Bears – ‘Be Strong’

The 2 Bears debut LP, Be Strong is a scatter shot across the entire scope of electronic music which feels like foraging through a fine record collection. It is a cheery, cheeky and joyous amalgam of sounds and a massive injection of positivity amidst a time of dreariness and uncertainty. It is a worthy ode to the past two decades of dance music, a fine soundtrack to any weekend and most importantly, a bloody excellent dance record.

03. Sam Willis – ‘Winterval’

Winterval is the debut solo album from Sam Willis, one half of London-based Walls. Taking a host of house, techno, minimal and Balearic influences, Willis assimilates these familiar traits into otherworldly electronic music that gracefully hovers in an ambiguous hinterland, between subtly euphoric and vaguely ambient. Chiming notes resonate through every track and the beats are delivered with pin point accuracy. Willis has mixed the warm sounds with a crisp frosty elegance, creating a hypnotic, comforting sound collage. It is no way an exaggeration to say Winterval is one of the most aesthetically complete electronic albums for quite some time.

02. Tame Impala – ‘Lonerism’

Where to begin with this one? Lonerism is a simply brilliant album. Their 2010 debut Innerspeaker set the standard for warped retro, yet futurist psychedelia. The follow-up is leaner, more confident as it sprawls into further exploratory psychedelic territories. It kind of goes everywhere while remaining fluid and cohesive throughout. From the rocking stomp of ‘Elephant’, to dazzling epics of ‘Apocalypse Dreams’ or Lennon/McCartney-esque ‘Feels Like We Only Go Backwards’, Lonerism remains cohesive. It is an album which increasingly fascinates with every listen. Give it the time it deserves, it’s guaranteed not to disappoint. Truly stunning!

01. Django Django – ‘Django Django’

While Django Django’s debut album contains undeniable similarities with The Beta Band, they have far from copied or imitated. Part of the appeal is an ability to seamlessly blend genres and sounds from a melting pot of influences into a striking blend of understated indie, with an electro groove at its heart. Anchored by alluring harmonies and an undeniable groove which permeates the very core of this record, this is indie music to dance to. An inspired and wholly irresistible debut, and my album of 2012. Thank you!