Pretty self explanatory this one. There’s been a lot of great music released in Ireland over the past 12 months & here’s ten Irish albums I’ve enjoyed the most in 2012. You can also check out the ‘Albums of 2012‘ & ‘Irish Songs of 2012‘ if you want.
10. The Expert – ‘Neckbreakers’
Not strictly an album, more of a beat tape as it happens but who makes theses rules? Over seven glorious cuts of jazzy instrumentals The Expert takes us on a head nodding journey from start to finish. Having produced beats for over fifteen years, mainly with his band MJEX, it certainly shows. A worthy addition to any record collection.
09 Imploded View – ‘Picnics With Pylons’
Picnics With Pylons is the debut album from Longford based producer Imploded View (aka Jerome McCormick). Continuing with his forte for atmospheric downtempo electronic music, his debut rarely if ever, emerges from first gear. Preferring to meander through a vast and cloudy world of extremely chilled ambient sounds, an air of calmness permeates the entire record. McCormick is certainly comfortable in this skin, he seems at peace, a feeling transposed to the listener as the airy productions wash over you, allowing time for delicate detail, added emotional depth and mood and thought provoking atmospherics. An assured and composed debut.
The P Affection’s debut was a scatter-shot of indie-pop, rock, ska, and folk, a very good one it must be said. While staying true to the influences of that record, with Cakes For Occasions, The P Affection have grown as a band and refined their sound. It’s a pretty irresistible and varied selection of power-pop and harder edge indie-rock coated in a mix of humorous and heartfelt lyrics. The P Affection continue to improve in all that they do, it’s going to be exciting to see where to next.
Taking their cue from the likes of The Chameleons, The Verve, Jesus & Mary Chain and Black Rebel Motorcycle Club; there is no messing around with House of Dolls. Equally adept in the psych-rock/shoegaze department or rip-roaring dirty rocking guitar riffs. It is here where the albums persona lies, flipping seamlessly between the two styles, on the one hand the fired up brutish rock sounds and on the other, the more measured and steady but no less captivating psych-rock sounds. A very good album, one deserving of much greater exposure.
Our Krypton Son is Derry man Chris McConaghy, who on gathered close musician friends together to create the band in early 2010, they have taken time to produce their self-titled debut. It is a warm collection of alt-rock/folk songs, imbued with an eerie sense of melancholy and an autumnal feel. McConaghy proves himself an excellent songwriter and his voice is possess a real richness and warmth. Our Krypton Son is a solid debut with so much to like but, having seen them live, there is even more to come.
A trip across the US left Ciaran Dwyer of Band On An Island with a collection of songs and stories, of a distinctly different variety to those of BOAI, and so Knoxville Morning was born. Under this new alias, with Dwyer at the helm, he is joined by fellow BOAI members and The Mighty Stef, Gavin Elsted (We Are Losers), Brian Gallagher (Humanzi), Stephen Fahey (Super Extra Bonus Party) and Claire Prendergast. The record is a sweet blend of folk, country and Americana, and while it wears it’s US influences on it’s sleeve, Ciaran’s intuitive storytelling remains a linchpin that holds everything together. It maybe shouldn’t work, but it does, and remarkably well too, which is a credit to Dwyer and all involved.
LD 50 Part II is the second record from Dublin rapper Lethal Dialect and it is extremely impressive. Composed, confident and intelligent, there is no bullshit bravado here, just great rap tunes. LD’s greatest asset is his voice, spitting salient bars above beats and samples, he utilises every breath to paint an all too realistic depiction of life in Dublin. Delving into a whole raft of topics and issues others tend to refrain from, he’s cool, calm, sometimes agitated and angry but always passionate. A refreshing and thought-provoking new voice, not only for Irish hip-hop but Irish music in general.
Prior to this release, Ghost Estates had already carved out quite a name for themselves, their debut album goes someways to realising their potential. With three songwriters in the band, stylistically it’s diverse, taking in a mix of new wavey sounds, reach for the sky guitar anthems and straight up indie rock. This amalgam has seen them arrive at their own distinct sound of hazy electronica edged indie which send a shiver down the spine. It is said two heads are better than one, well, judging by Ghost Estates’ debut, three are certainly better than two. Easily one of the best Irish indie album for some time.
Nathan Conway & The River Valley Band certainly borrow from the past to create a timeless soulful country sound, and have found their niche. The tone is soulful country, set to overarching themes of demise and redemption, draped in Conway’s intuitive storytelling which paints vivid pictures with his words. Mostly you feel they are working together, from the swinging uptempo tracks to the less blustery, slower numbers. They have a rapport with one another; brass, percussion strings and Conway’s deep bellowed croon, all work in perfect tandem. Sonny Boy requires a degree of patience, but it is worth it. A beautiful, timeless and assured album.
Standstill continues where 2009’s When It’s Over left off, flowing gently by, amid a sea of soft lilting vocals, whispering lyrical poeticisms and subtle instrumentation. It is permeated by an air of richness, comforting tranquillity and shrouded in melancholy. Standstill is a slow burner and requires patience, understanding and repeated listens to be fully appreciated. Standstill is a beautiful, simplistic and assured album and sometimes that is quite enough.